"Banners and Beautification," The Laboratory for Global Performance and Politics, 22 May 2018

"From Gangs and Reporters to Terrorists and Headlines," The Laboratory for Global Performance and Politics, 21 May 2018

"Terrible Terrorists," The Laboratory for Global Performance and Politics, 20 May 2018

"Who Can We Mourn?" The Laboratory for Global Performance and Politics, 19 May 2018

"A Field of Flowers," The Laboratory for Global Performance and Politics, 18 May 2018

"Making on the Margins," The Laboratory for Global Performance and Politics, 23 March 2018

"Liverpool FC’s Mohamed Salah’s Goal Celebrations: A Guide to British Muslimness," The Conversation, 12 March 2018 (syndicated on The New European, iNews, Qrius, and FootTheBall)

“On Minority Artist Development Programs,” HowlRound, 4 December 2017 (syndicated on ArtsHub, Silver Lifestyle, and IETM)

Review of Applied Theatre: International Case Studies and Challenges for Practice edited by Monica Prendergast and Juliana Saxton, Liminalities: A Journal of Performance Studies 13, no. 2 (2017)

Performance Review of Cotton Panic! at Manchester International Festival (MIF), The Sick of the Fringe, 21 July 2017

Performance Review of Party Skills for the End of the World at MIF, The Sick of the Fringe, 21 July 2017

Performance Review of What Is the City But the People? at MIF, The Sick of the Fringe, 19 July 2017

“Citizen Diplomacy: International Artists Speak on Cultural Ambassadorship,” SixByEight Press 15, 30 June 2017 [with Caitlin Cassidy, Faisal Abu Alhayjaa, Devika Ranjan, and Manuel Viveros]


© 2018 by Asif Majid